Everyone is looking for the answer to mediate and end conflict.
There are think-tanks, politicians, world figures, famous people, psychologist, counsellors, religious figures, etc are all getting on the game of ending conflict.
To some, that is what conflict represents; A Game! To others a way to get into history, build a legacy, or some other personal (selfish) reason.
They are all trying to find the complex secret or system to end or resolve conflict in some way. Though the view of conflict may seem complex, in reality it is not so complex at all.
All conflict starts with a single grievance and then other grievances are added on the original grievance until there reaches the inevitable breaking point i.e. conflict.
Whatever the single grievance may be, it becomes a grievance when "A" believes that "B" has taken an advanced unfairly or unjustly. Whether this is true or not, is a mute point because if "A" believes it to be true then it is true.
All conflicts are the same and size is to most extent irrelevant. From conflict between people to conflict between nations, it is all the same.
Some may argue that the conflict has history but all history is, is a single grievance with multiple grievances added onto it over time (in many cases the original single grievance is lost).
Some would argue the conflicts between nations (size) makes them extremely complex. Well no, even between nations there is always that original single grievances on which multiple grievance get again added on.
At the end of the day it comes down to two people sitting down and having a simple discussion.
So if the answer to ending conflict is simple then why isn't it being used. It is because the first three things needed to end conflict are so hard for parties to do and in most cases refuse to do.
What are these seemingly possible things:
* EMPATHY
* I AM SORRY
* Give up saying: I AM RIGHT, YOU ARE WRONG
I will start with the last one first.
Give Up Saying, "I AM RIGHT, YOU ARE WRONG".
If "A" and "B" or just one of them have this attitude nothing will ever be resolved and most likely it will guarantee more trouble and grievance.
In all conflicts all parties are right and all parties are wrong. Reality means very little even with evidence cause if one of them believe they are right then for them, THEY ARE RIGHT. No amount of convincing or evidence will change this perception.
All parties are Right and all parties are Wrong so discussing these is in short a waste of time and energy.
Also each side has acted, reacted, acted, reacted again and again and again. So both of them are culpable and to blame for the conflict. They equally share responsible and blame because both allow the conflict to grow.
So that is the first step. We are all responsible! We are all to blame! Nobody is RIGHT! No body is WRONG!
Example One: Person "A" attacks you and tries to kill you. You defend yourself and kill person "A". Now you have a conflict with person "A's" family. Person "A's" family want justice for the death of their family member. From your point of view: you are right and they are wrong but from their point of view: they are view and you are wrong. Both points of view are true. So if both sides do not give up I AM RIGHT, YOU ARE WRONG then nothing can be resolved.
EMPATHY
Now this one is tough because it requires you to forget and give up yourself, your personal feelings and your belief of what you perceive as true. It requires you to place yourself in the other's position. To walk in their shoes, to see life as they see it, to feel life as they feel it.
It means to feel their grievance as your grievance. To feel their pain, their suffering as your pain, as your suffering.
The difficulty is in the fact that our emotions (anger, hate, distrust, contempt) make us otherize and, or dehumanized the other party. This leads to thinking that you can not relate to them, they are different, they are the enemy. Both parties are thinking the exact same thing of the each other. In conflict we tend to forget that we are all human, we all share the same DNA, we all laugh, cry and bleed.
Example: Continuing with the scenario of Example One. Place yourself in the family's position and try to feel their loss, pain, anger and frustration at the death of their son, brother, father, husband. Now the family place themselves in your position and feel the fear, desperateness, panic, and desire to live. Also the guilt you may or may not have over taking a life.
By taking the other position we become a step closer and we understand that we are not so different.
I AM SORRY
The hardest of the three and the one where people may even prefer to die before they would say sorry.
Now this "I am sorry" is not apologising for action. It is not apologising to things you believe to be right or just. Using Example One scenario, you are not apologising for the action defending yourself and taking the life of another person in the course of that defence.
This "I AM SORRY" is apologising for the pain, hurt, suffering, loss, frustrations that your actions have caused.
It is NOT admitting or saying you are wrong, it is only saying I am sorry for your pain.
It is saying, I understand your pain, I feel your pain and I am sorry for the pain your are feeling.
It is not a difficult thing but it is the most difficult thing of all because tend to confuse "Sorry" with the admission of guilt, blame or wrongdoing. You can feel you are correct in your action but you can say (be) sorry for the pain cause by your actions.
One would hope that you would come to understand that some of your actions were wrong and apologise for them but again this is note the purpose for this "I AM SORRY".
When we can learn to say sorry for the pain our actions or inactions have directly and indirectly caused we reach a place where true ending or conflict can begin and wisdom to avoid allow a single grievance to escalate into conflict.
Whether its a conflict between lovers, families, societies, social groups, nations, etc by utilising three simple tools "Give up saying: I am right, you are wrong", "Empathy" and "I am sorry" we can bring conflict to an end and stop conflict before it starts.
Thank you
In the mind of Syrbastyian
Hi my name is Syrbastyian Vzampfyier. This blog is about expressing the things I think and feel plus it will also include letters I have written plus my poems and thoughts. I hope you will enjoy reading everything and I hope that my mind may advance yours and your mind advance mine as well. Thank you all, Syrbastyian.
Tuesday, 17 April 2012
Monday, 9 April 2012
Neville
Let me introduce to Neville.
A man in his mid 30's, hard working and average intelligence. A mate, a friend, the guy you could share a drink with a the b\pub and have a laugh with. Your average bloke.
This is the Neville the society knew, that most people knew.
Now let me introduce to you the Neville I knew.
My Neville, would come home from work and punch me in the back of the head.
Then he would force me to suck his cock. This was on a good day.
On an average day he would beat me until something bled or broken and then he would rape.
He would tie me up and to something and rape me.
I think he enjoyed it more because I would always fight back. He liked that.
But Neville's favourite thing was to beat me until I was almost unconscious and then put me in the freezer for about an hour. When my body had become ice cold he would rape me. I guess he like the death coldness of my body.
The world does not have to worry about Neville any more. That got taken care of some time back though it did not give the satisfaction that I thought would have.
So why now, why say now. Because it is time. I do not have a special person to share this with. So I may as well share it to to the world.
The point: Things happen, and if bad things happen to you as a child. It is not your fault, you had no power and there was nothing you could have done. So that guilt you feel, that shame you feel, stop it. You have nothing to feel guilty or shame about. You did nothing wrong.
A monster hurt you, a monster stole your childhood. So do not feel bad in any way.
You are great, you survived. You are greater because you did not repeat what was done to you.
We can let the past define our future or we can accept that bad things happen to us and them them go. Letting go is hard but it is what will make you truly free.
Be free those who have suffered monsters and know that you are not alone, others share and know your pain.
This is why now I speak. So maybe my experience and openness with it may help someone who has had the thing same thing happen to them.
Life does get better and some day you will heal.
A man in his mid 30's, hard working and average intelligence. A mate, a friend, the guy you could share a drink with a the b\pub and have a laugh with. Your average bloke.
This is the Neville the society knew, that most people knew.
Now let me introduce to you the Neville I knew.
My Neville, would come home from work and punch me in the back of the head.
Then he would force me to suck his cock. This was on a good day.
On an average day he would beat me until something bled or broken and then he would rape.
He would tie me up and to something and rape me.
I think he enjoyed it more because I would always fight back. He liked that.
But Neville's favourite thing was to beat me until I was almost unconscious and then put me in the freezer for about an hour. When my body had become ice cold he would rape me. I guess he like the death coldness of my body.
The world does not have to worry about Neville any more. That got taken care of some time back though it did not give the satisfaction that I thought would have.
So why now, why say now. Because it is time. I do not have a special person to share this with. So I may as well share it to to the world.
The point: Things happen, and if bad things happen to you as a child. It is not your fault, you had no power and there was nothing you could have done. So that guilt you feel, that shame you feel, stop it. You have nothing to feel guilty or shame about. You did nothing wrong.
A monster hurt you, a monster stole your childhood. So do not feel bad in any way.
You are great, you survived. You are greater because you did not repeat what was done to you.
We can let the past define our future or we can accept that bad things happen to us and them them go. Letting go is hard but it is what will make you truly free.
Be free those who have suffered monsters and know that you are not alone, others share and know your pain.
This is why now I speak. So maybe my experience and openness with it may help someone who has had the thing same thing happen to them.
Life does get better and some day you will heal.
Saturday, 21 January 2012
SOPA and PIPA are bad
This talk explains clearly why SOPA and PIPA are bad and how it is just one part of a 20 year battle over freedom of expressions, rights and due-process(law)
http://www.ted.com/talks/defend_our_freedom_to_share_or_why_sopa_is_a_bad_idea.html
Monday, 12 December 2011
TESOL Essay TEN
Essay Ten
Teaching Grammar
By Syrbastyian Vzampfyier
Throughout the history of language learning be it in
general education in one’s own native language or in learning a foreign
language and, or second language there has a almost total emphasis on teach
grammar as a systems of rules and regulations. Yet most people when ask to
explain the grammatical rules of their own language struggle to to be able to
explain the rule of their own native language.
Foreign language and, or second language learners
spend many years learning the grammatical patterns and the grammatical rule of
a foreign language and, or second language and yet struggle to apply and use
the language actively to communicate effectively. This is especially true of
Asian countries which tend to the rote system of learning a language and its
grammatical rules.
Grammar is not actually a system of rules but more of
a way that people expression their thoughts and intentions in their navigation
through human relationships and societies in which they live in. (Pinker,
2007).
This concept of grammar as a way to express ideas,
thoughts, opinions, feelings, beliefs, etc is what I believe is missing from
most EFL/ESL teaching. The tendency to focus mainly on the rules of the
language without explaining or teaching how the grammar expresses a concept of
psychological meaning to act or be acted on, I contend, lessens our students’
ability to express their intentions clearly and freely.
Grammar has in the components of psychology, physics,
time and space. For example, the grammar of active and passive sentences, an
EFL/ESL teacher will teach the grammatical differences of the two types of
sentences but without teach or explaining the psychology, physics, time and
space of the sentence the students will struggle to learn them and use them
correctly.
Let us take a look at this in closer detail. Please
read the following sentences.
I.
Disneyland
closed down because of the earthquake.
II.
Disneyland
has closed down because of the earthquake.
III.
Disneyland
was closed down because of the earthquake.
IV.
Disneyland
got closed down because of the earthquake.
V.
Disneyland
has been closed down because of the earthquake.
Now if you careful think about the concept of each
sentence in term of their meaning and not the grammatical rule you will see
that each sentence expresses certain ideas. The grammar is only a means to
express the ideas not as a system of language rules to follow.
Sentences I and II show that Disneyland is active and
in acting on the earthquake and the sentences show that Disneyland had a choice
to either close down or not to close down. The use of “HAS” in sentence (II)
show the action of Disneyland was in the recent past and connects to the
present. Sentence (I) shows the event started and finished sometime in the
past.
Sentence III, IV and V show that the earthquake was
the actor and it acted on Disneyland and they also show that Disney had no
choice or power to decide whether to close down or not close down. The decision
to close down was force onto Disneyland by the power of the earthquake. The “WAS”
implies that the event started and finished sometime in the past. “GOT” suggest
a similar idea but has a more forceful sense to it and that the event is nearer
to the present than “WAS”. “HAS BEEN” implies the event occurred in the recent
past and it is not as aggressive as “GOT”.
Though grammar is a formula of rules and regulations
that give a structure to sentences, grammars main and I would say only purpose
is to express certain ideas and concepts. The teaching of grammar without
explaining how the grammar expresses ideas is not helping the student learn and
understand the usage of the language they have chosen to study. Furthermore, by
focusing on how grammar expresses ideas and concepts reduces the stress that students
feel trying to master the grammar rules. This in turns helps students to use
the language more openly with little or no fear of breaking some rule. The
teacher is not correcting or enforcing a rule but assisting the student to
express their ideas and communicate these ideas to the world.
TESOL Essay NINE
Essay Nine
High Frequency Words
By Syrbastyian Vzampfyier
It is common knowledge amongst EFL/ESL teachers the students
of all abilities tend to make the same errors in using the most common words
i.e. the high frequency words. Errors with these high frequency words will make
the students language seem worse than it really is, plus errors with these high
frequency words can and do cause miscommunication and misunderstanding.
Many EFL/ESL instructors try to reinforce the
grammatical rules and, or points of the words. Instructors try to teach the
students to remember the patterns and rules of the word’s use.
I believe that the grammatical and rule approach may
not be the best and only way to assist the students to learn how to use these
high frequency words correctly. What I suggest is that EFL/ESL instructors
teach the physical attributes and image of the high frequency words.
Let us look at a few of the top 10 high frequency
words and bring out their physical characteristics and, or image which will, I
believe, help the students not only to use the words correctly but also use
them correct in abstract situations or expressing abstract ideas.
“THE, A and TO”
“THE and A”. What is the meaning of these two words,
what is their image? “THE” when to think about the word means a thing or an
action we know. The speakers and the listen must understand that “THE” refers
to something they both know or that the speaker believes the listener knows for
example, when someone says “I will meet you at the cafe”, there is an inference
that both the speaker and listener understand that “the cafe” is a specific
thing in which both parties know and understand. “A” on the other hand is
something that the speaker knows but the speaker believes that the listener does
not know.
“TO” is like an action and it show movement in a
forwards direction and “TO” is aggressive in its forward movement. If you
compare these two sentences (“Give Saya the present.” versus “Give the present
to Saya.”) and think about the image of both you will realise that “TO” does indeed
express forward movement and an aggressive fashion.
These are just a couple of examples of how an EFL/ESL instructor
could teach these high frequency words in a way that will help the students to
learn and remember how to use these high frequency words.
TESOL Essay EIGHT
Essay Eight
Mind Mapping
By Syrbastyian Vzampfyier
In an EFL/ESL class mind mapping is a useful tool to
help students retain and remember information. Students should be encouraged to
use one notebook for mind mapping.
There are two very useful ways in which the students
can use mind mapping to enhance their language skills, retain and remember new
information. The first is to use their mind mapping notebook as a way to note
down the key points of a day’s lesson or second as a way to retain, remember
and use vocabulary.
Vocabulary usually does not have a stand-alone
quality. Vocabulary needs to be used with other vocabulary and smaller function
words to create sentences that have meaning and value for the speaker and
listener. This is was mind mapping can be a very powerful tool in language
building, sentence creation and developing communication.
How does vocabulary mind mapping work? First the
student writes a new word, for example; a noun, in the centre of a page in the
mind mapping notebook. Then they make branches coming off the new word. Each
branch has a title for example: actions (verbs), adjectives, other connected
nouns, places, times, people, synonyms, etc. On each branch the students write
words that fit into the branches title and that are connect or associated to
the new word in the centre of the mind map.
This helps the student remember the word plus it
builds connects to other vocabulary that is need to be able to use the new word
in a sentence to express the students ideas. The multiple associations and connection
help the student retain the word, its meaning and its use. In addition to this
the mind map creates positive feedback back for the students when they review
their mind mapping notebooks and see how many words they have written on each
page. Furthermore the students can continue adding more connected words to a
page. As the mind maps increase in number the students will start to link
separate mind maps into categories plus see how the same word or words can be
used in different areas and ways.
TESOL Essay SEVEN
Essay Seven
The Never Ending Story Method
By Syrbastyian Vzampfyier
Activating the brain and getting the mind ready for
learning is vital in acquiring new knowledge. In an EFL/ESL class you may find
that the students may be tired at some point in the course due to various
reasons such as early morning classes, after lunch or long day at work. You may
wish to activate the student’s passive knowledge to review or re-enforce
previously learnt material. May be you wish to introduce new vocabulary into
the lesson. Whichever reason and, or purpose you, as an EFL/ESL instructor, may
have the ‘Never Ending Story’ method is a using technique to accomplish the
reason and, or purpose for the student (class).
Let’s quickly review how the ‘Never Ending Story’
method works. Basically, one student (A) make a statement or says a word then
student (B) repeats what student (A) said and add their own statement or work
next student (C) repeats what student (A9 and student (B) said and then adds
their own statement or word, etcetera. The point is to build the students
retention and indirectly have the students help each other to remember the
sequence.
I will now go on to how the ‘Never Ending Story’ can
be applied in the class to (A) activate passive knowledge, (B) review
previously learnt material or (C) introduce new material.
NOTE:
It is most important and beneficial for the students that the EFL/ESL instructor
add a physical element to the exercise, for example: have the students use
facial expressions, hand or arm movement, and, or body movements. This physical
part of the exercise will help the students by activating more areas in the
brain, remember the sequence and allow the students to help each other to
remember with visual prompts.
Single Word:
This can be used to (A) access the passive-vocabulary
stored in the students’ minds, (B) review and re-enforce previously learnt vocabulary
or (C) introduce new vocabulary of the lesson you are going to teach that day.
(A) Passive vocabulary access.
(A1) The
instructor provides a theme for example: The Beach. The instructor asks the
students to think of nouns (while the students are doing the activity the
instructor writes down the nouns the students say). The students go around in
turn repeating the noun of the previous student(s) and then adding their own
noun. Depending on the size of the class, go around 2 or more times.
(A2) The
instructor writes all the nouns on the board. Then the instructor asks the students
to repeat the same process using adjectives that are connected to the nouns. The students go around in turn repeating the
adjective of the previous student(s) and then adding their own adjective. Again
the instructor notes down the adjectives used by the students and at the end of
the exercise writes the adjectives on the board next to or underneath the
respective nouns.
(A3) Repeat the
same process for verbs and again for adverbs connected to the verbs. Each time
noting down the vocabulary and when that part of the exercise is finished,
writing the vocabulary the board.
(B) Review of learnt material.
(B1) The
instructor asks the students to open their textbooks and notebooks to a
particular lesson or lessons.
(B2) Next, the
instructor asks the students read through and review the material of the select
lesson(s). And ask if the students have any question about the material.
(B3) As described
above, A1 to A3, repeat the same process breaking the material into nouns,
adjectives, verbs and adverbs.
(C) Introducing new material.
(C1) Again the
process is the same, only this time the instructor will write the new material
on the board or have the students read through in their textbooks. The
instructor will or have the students organise the material into lists of nouns,
adjectives, verbs and adverbs.
(C3) The will
either explain any unknown material or have the students explain it to each other.
(C4) Repeat the
same process as described above in A1 to A3.
For an extra challenge or for students with a higher
ability the instructor can have the students make two word sentences (big wave
/ surf happily), a short sentence (A big wave / I surf happily), a full short
sentence (I happily surf a big wave / I surf a big wave happily), or long
complex sentences. They ways to use the ‘Never Ending Story’ method in a lesson
are endless and only limited by the instructor’s imagination.
TESOL Essay SIX
Essay Six
Music and Language Learning
By Syrbastyian Vzampfyier
“No music, No life” a simple saying that expresses
many people’s view of the importance of music in their life. For most of human existence
rhythmic patterns feet walking, waves, a bird’s song, etc have had some
influence the human brain, body, mind and behaviour.
Music affects our emotions, it can make us feel happy,
sad, energetic, sleepy, etc. In fact from your own personal experience you have
probably used music to help you do some activity be it studying, exercising,
house-cleaning and so on. Yet in the classroom many instructors and teachers may
ignore music and, or believe that using music in the class has little or no
benefit for the students and learning.
Show how music can benefit the students, here a short
story about Albert Einstein given by (O’Donnell, 1999) in his piece on “Music
and the Brain”:
A
little known fact about Albert Einstein is that when he was young he did
extremely poor in school. His grade school teachers told his parents to take
him out of school because he was “too stupid to learn” and it would be a waste
of resources for the school to invest time and energy in his education. His
mother did not think that Albert was “stupid”. Instead of following the school’s
advice, Albert’s parents bought him a violin. Albert became a good violin
player. Music was the key that helped Albert Einstein become one of the
smartest people who ever lived. Einstein himself says that the reason he was so
smart is because he played the violin. He loved listening to Mozart and Bach
the most. A friend of Einstein, G.J. Withrow said that the way Einstein figured
out his problems and equations was by improvising in the violin.
Music has a power on human beings. It has been
scientifically tested and proven that music can affect our psychology,
emotional states and physiology. People exposed to a large amount and a variety
of music when they were children, usually, have a more balanced approach to
life and able to deal with life difficulties and stresses. Music affects our
emotions; it can make us feel happiness, joy, sadness, depression, aggressive
and calm. Even our physiology is affect by music. MRI’s of profession musicians
show that their prefrontal cortex is more develop than people who do not play
an instrument. When we listen to music with a fast rhythm our heart rate and
breathing speeds up and when we listen to a slow rhythm our heart rate and
breathing slows down for example, classical music from the baroque period
causes the heart rate to slow down to the beat of the music.
Not only humans but also animals and plants have been
scientifically tested and proven that music can have positive and negative
effects on them. When plants are exposed to baroque music or Mozart’s music
they grow faster and stronger, but when expose to hard rock or heavy-metal they
grow slower and weaker. For animals the same effect is also true for example,
chickens will lay more eggs and be less stressed and cow will produce more milk
when they exposed to baroque music or Mozart.
Dr. George Lozanov a psychologist in Bulgaria designed
a way to teach foreign languages using baroque music which utilises baroques
music’s 60 beats per minutes that activities the left and right side of the
brain. Students in his programme are able to learn a half a school term in
vocabulary and phrases (over 1000) in one day.
Such is the power of music to assist in learning and
build pathways in the cortex of the brain. They are many more studies and every
day more studies prove the power of music to advance learning.
In the classroom there are many ways in which a
teacher or an instructor can use music in their lessons. With all the research,
studies and acknowledgement of the power of music it is amazing that teachers,
instructors, schools and education in general ignore and do not utilise this powerful
tool to benefit the students.
If one truly cares about education and help their
students develop the skills for their future then one must use every method available
to advance the students learning and music is one powerful tool they teachers
can use to benefit the student.
TESOL Essay FIVE
Essay Five
Kinaesthetic Learning
By Syrbastyian Vzampfyier
Over the past 20 years there has been serious
recognition that some people are kinaesthetic learners, i.e. they learn while
physically doing something. Their body and mind are engage and the physical
activity opens up more pathways in the brain for learning and more importantly
retaining what they have learnt.
It is my belief that people are not just kinaesthetic
learners or non-kinaesthetic learners, but all people are kinaesthetic learners
to some degree. If you consider and think about any skill a person needs to
acquire, any job a person needs to do and, or any experience any person has or
wants to have; it cannot be gained unless it is done physically.
The physicality in learning is either (A) direct
engagement or (B) indirect engagement. By these I mean that with (A) direct
engagement; the body and the mind are consciously and directly involved in
learning, and (B) indirect engagement; the mind is consciously and directly
involved in learning and the body is subconsciously involved.
To give examples of these: (A) direct engagement; when
sports people are learning a new technique they will talk, themselves, through
the techniques as the perform it. In the military, especially basic training
(boot camp), instructors will have the soldiers repeat the instructions (steps)
of the drill as they perform the drill. And from your own personal experience,
I am sure that you have talk through the steps of acquiring a new skill,
especially in a new job, perform it. (B) Indirect engagement; In Japan, when
Japanese people do not remember how to write a kanji (Japanese writing
character) they will use their index finger to write in the air or on the palm
of their hand. Sports people when they are doing image training will move their
bodies as if on the course. Also when people are remembering (new) activities
they will move their bodies to some degree. In all these examples people move
their bodies subconsciously to the actions they are thinking about. Though
people are not consciously aware of it, but the movements of their body when
trying to learn something new or remembering how to do something helps them to
1. Remember and retain the information, and 2. Retrieve and use the
information.
For young EFL/ESL students encouraging and, or
introducing kinaesthetic learning is quite easy because it is something they
natural do in their usual academic education,
but for adult EFL/ESL students it can be somewhat difficult to overcome
their reservations i.e. they may feel it is only for children, embarrassing
and, or beneath them. Therefore the EFL/ESL instructor may need to open up the
adult students to the idea of kinaesthetic learning and make them feel
comfortable with it and also to show them that kinaesthetic learning will help
them acquire the foreign or second language they wish to use communicate in
with other people.
One simple technique to overcome the adult EFL/ESL
student’s hesitation to accept kinaesthetic learning is, what I call,
observation-persuasion. This is where the students observe their fellow students
using their face and body to express themselves and explain how to do
something. While the students are observing they begin to notice, realise and
understand how physical movement is an essential part of communication. In this
observation the student will come to be persuaded and accept kinaesthetic
learning.
First, divide the class into two groups: “X” the
actors and group “Y” the observers. Then inform group “X” that they will
explain to their partner how to do something, first in their native language
(L1) and again in the foreign or second language (L2). Group “Y” is then told secretly
to watch very carefully the facial movements and body movements of group “X”
when group “X” is performing the task in L1 and again in L2. Also group “Y” is
asked to decide which task they observed group “X” performing, L1 or L2, did
group “X” use more facial movements and body movements.
When the task is finish swap the groups around so the
group “X” now becomes group “Y” and group “Y” becomes group “X”. Repeat the
process.
Once both groups have performed “X” and “Y” parts,
take a quick poll of the class. Ask which task L1 or L2 used more facial
movements and body movements. Usually, more often than not, the students will
say that task done using L2 used more facial movements and body movements. Then
instructor asks the students if facial movements and body movements are
important for communication, again, more often than not, the students will
state that facial movements and body movements are important for communication.
Once the students themselves have stated this the instructor merely confirms
the students’ observation.
Lastly the instructor explains to the students that
during the course they will be doing some activities, tasks and exercises,
which will require the students to use their face and body in some way. Though
some of these may seem silly and, or childish they help build learning and most
important as the students have stated themselves are needed for full
communication especially communication in a foreign language or second
language.
This technique is quite simple and requires very
little instructor involvement, but the power of the students’ own (self)
observations is amazingly persuasive in changing the students’ preconceived
ideas of doing physical activities to learn, acquire and use a foreign language
or second language.
TESOL Essay FOUR
Essay Four
Total Physical Response
By Syrbastyian Vzampfyier
Language is physical. When we communicate, we use our
body in varying degrees and ways. We change our facial expressions, head and
eye moments and positions such as when we are expressing an emotion. We use our
arms and shoulders to express, explain and, or add emphasis to what we are
saying. We vary our body position and posture for example to show that we are
listening and interested, or disinterested.
In this sense the Total Physical Response method is a
very useful and practical method that a EFL/ESL instructor to applied in the
class to not only assist the student to intuitively understand the meaning of
the sample language, but also retain the language through building connections
between to brain and body memory.
In the follow outline the basic steps of Total
Physical Response, which mainly focuses on EFL/ESL mid-level beginner to
lower-level intermediate students, and then show how to adapt and Total
Physical response for intermediate to advance students.
STEPS (Mid
ability beginner – Lower-ability intermediate):
1.
Select
a theme for the activity, for example; cooking dinner, then prepare the need
and appropriate resource materials, for example; a pot, a knife, a spoon, tongs
and items of food.
2.
Have
the students seated, in a circle is usually best, and as group point to each
item as you name it.
3.
Say
the name, single word or descriptive phrase, of each item at least two times
and as you point to them you will perform the action associated with the item,
for example; play act that you are cutting, chopping or slicing something as
you say the word, “KNIFE”.
4.
Choose
just one student to point to the items as you name them in random order and
perform the appropriate action connected to each item such as peeling, cutting,
mixing, stirring, frying, etc. Repeat the words if the students need to hear
them again, do not leave any student struggling!
5.
Each
student comes up to the front of the class and repeats the words and actions.
Repeat again, if you feel the students needs it.
6.
As
a review and to be sure that all the students have got the material, the whole
class does the actions associate with each item as you call out the items
individually. If you think are ready for a little challenge, try naming two
items or add an adverb to the action. For example, cut the tomato slowly (with
the knife9, cut the tomato quickly (with the knife).
7.
The
instructor asks one student to stand up and request another student to do the
action. For example: Takako, please tell Mayumi to slice the tomato carefully.
Takako repeats the request to Mayumi; (Please) cut the tomato carefully.
8.
Now,
repeating step seven but this time adding a second request. For example,
Mayumi, tell Takako to cut the tomato carefully and stir the soup slowly.
9.
Next
mix up the order and have one student tell two other students to do different
things. The instructor will say, “Yukiko, (please) tell Takako to cut the
tomato carefully and Mayumi to stir the soup slowly”. You can follow by,
“Please, tell Takako to stop cutting the tomato and Mayumi to stop stirring the
soup”. (If you feel the students are ready and are confident enough, have each
student play the role of instructor and have them tell the class what to do.
You join the class as a student.)
10.
Conclude
the activity. Now ask the students questions such as; “Who likes to cook?”,
“Who doesn’t like to cook?”, “Who cooks every day?”, Who doesn’t cook every day?”,
etc.
11.
Then
ask the students individually or as a group to “point to” or “say the name of”
someone who likes to cook or doesn’t like to cook.
12.
Finish
the lesson by writing the main sentences on the board, for example; ‘cut the
tomato’, etc. Make sure you include the adverbs you have used. Ask the students
if there is anything they have any questions about vocabulary, grammar, usage,
etc. Provide the students with a written copy of all the language in the
activity.
Adapted
Activity for Intermediate and Advanced Ability Students
STEPS
(with reasons
for each step):
Step
1. Select a theme and divide it into three to
five sub-topics. For example; SHOPPING, sub-topics: Clothes, Food, Cars, etc.
Alternatively, you could have three to five different and independent themes.
For example: Shopping, The Office, Sports.
Once this is done, choose a minimum of four
appropriate resources for each sub-topic or theme: Objects, Pictures,
Photographs, flashcards, etc. If possible try to use the real objects whenever
you can. Also ensure that visual material is large enough to be seen clearly
this especially important for students with sight difficulties. Other materials
needed are: A3 size paper or larger (one sheet per sub-topic and, or them for
each group {team}, Coloured markers of various colours (at least three
different colours per group {team}) and something to attach the sheets to a
wall or board (tape, blue tact, magnets, etc).
Reason: Having three to five sub-topics or themes will prove
an extra challenge for the students also the various items will create interest
in the students and will be visually stimulating. A maximum of five sub-topics
or themes is best because it makes it easier to divide the class into groups
and, or pairs depending on the size of the class. But more importantly, more
than five ‘sub-topics or themes’ would most likely overload the students and
may create a negative learning experience.
Step
2. Have
the students standing in a circle (If possible a room where the tables and
chairs can be push to side of the room or removed.) and randomly place the
items in the centre of the circle, ensure that each item is not obscured by
another item.
(Note: Be aware of cultural differences; some cultures
may find placing items, which will be handled, on the floor or sitting of the
floor inappropriate or even offensive.)
Reason: This is to increase the physical movement of the
students and to start activating their brains.
Step
3. Now have the students look at the items for a
minute, then have them walk around the items and view the items from different
vantage points. This also ensures that the students see all of the items.
Reason: This helps to stimulate their visual cortex and stimulate
their minds. The circular walking pattern is a natural form when humans view
(new) objects and organise these in their mind.
Step
4. Now have the students sort the items into
different sub-topics and, or themes. Instruct the students to ask each other the
name of any of the items that they do not know in L2. (The questions and
answers should be done using L2) [L2 = Second or Foreign Language]. Once the
sorting is completed have the students confer and confirm with each other that
they are satisfied with the results of their sorting. The instructor gives each
sub-topic and, or theme a working title, such as “1, 2, 3, etc or A, B, C, etc”.
Reason: Doing this encourages the students to work together
and build connection between the students. This is especially important if the students
do not know each other.
Step
5. Divide the class into small groups (teams),
one group for each of the sub-topics and, or themes. Make sure that each group
(team) is a mix of different ability students; this is to encourage
complimentary communication, such as higher ability students assisting and, or
responding questions from other students with a lesser ability.
Reason: Again, doing this encourages the students to work
together and build connection between the students. This is especially
important if the students do not know each other.
Step
6. Now hand out the A3 sheets of paper and
coloured markers for each group (team), and instruct the groups (teams) to
write the name of each item on a separate A3 sheet and then write the headings “Verbs”
and “Adverbs”. The placement will be up to the students. If require,
demonstrate and show the students what you would like them to do.
Reason: To get their ideas from their minds into the physical
world.
Step
7. Next have the students think of as many verbs
as they can associated with and, connected to each item in the sub-topic and,
or theme that they are working on, then the students write these verbs on their
sheet. Next the students repeat the same process but coming up with adverbs for
the verbs they have on their list.
Reason:
To connect the
2D items into the 3D physical world.
Step
8. After this is done, then tell the groups
(teams) 1. To create a (short) story using the items, their actions and the
adverbs connected to verbs, and 2. Decide which actions to use in their story
because they will perform their story, first, without words (speaking), mime
performance. (Assist the students if the need any help.), and second, with
words.
Reason: This to connect the items (nouns), their verbs and
the adverbs the verbs to make them real.
Step
9. Once the groups (teams) have this is done.
Select groups (teams) randomly to perform their story, as a group, in front of
the class. While one group is performing their story, the other groups (teams)
watch the performance and try to guess the story, actions, adverbs and items.
Reason: To ensure that all members of the class are actively
involved in the performance.
Step
10. After one group has finished their
performance the other groups (teams) say what they think the story was about
also describing the actions, adverbs and items in the story. The performing
group tell the class of their guesses are correct or not. Once this is done the
group (team) will perform their story again this time with words (speaking).
Reason:
Again to ensure
total activity of all students and also to encourage class bonding.
Step
11. Any items that any individual student does
not know, they ask a member of the group, whose had that item in their story. A
member of that group will explain what the item is i.e. its name and perform
the action associated with the item.
Reason: This last step is important to encourage students
to teach each other and help each other with their EFL/ESL studies.
Though the adaptations is not directly the same as the
standard Total Physical Response method, when the students are in their small
groups they will using subconsciously to help each other learn the item and
their associated verbs and adverbs. Furthermore, there is little instructor
involvement and most important the students help and teach each other.
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